Appearances are Deceptive

The music has a spontaneous character, where the musicians give the impression 'just to play around'. But appearances are deceptive: Braam and Nielander are very experienced musicians and from the very first seconds on show how they have mastered everything. With a jealousmaking ease, they effortlessly move between jazz, impro and film music. Seamlessly switching from lyrical to bright and from melancholy to exalted. Meanwhile, the musical jokes are everywhere.

Cyriel Pluimakers, JazzEnzo

Wobbly and a Bit Ludicrously

Their playful way of handling music, with a solid disregard for rules, could refer to the way penguins walk: wobbly and a bit ludicrously.

Bernard Lefèvre, JazzHalo

Majestic, Inventive, Humorous and Above All: Swinging

Penguins Too succeeds in connecting past and present jazz to the listening ear. Majestic, inventive, humorous and above all swinging and accessible. The album is bursting of energy due to the diversity caused by unprecedented craftsmanship on the one hand and by the concept for which Penguins Too has chosen. Take the opening piece Tuyo. The beginning sounds of Nielander’s tenor saxophone give you the goose bumps, which has the same all-encompassing sound as that of Gato Barbieri. The pulsating piano by Braam is in line with this overpowering saxophone sound, after which both improvise the second piece of the cd.

Rinus van der Heijden, Jazz Nu

A Surprising Record

Due to the variation in tunes as well as the interpretation, “Crime” is a surprising record, on which the two musicians confuse the listener time and again. I listened in joy.

Hessel Fluitman, JazzFlits

The Energy is Unmistakable

This results in dynamic and vital interpretations, played with power and drive. The sound of the tenor sax is raw, the improv is somewhat wild, but the energy is unmistakable.

Vera Vingerhoeds, VeraVingerhoeds.nl

A Thrilling Concert and our Recommendation for the Upcoming Season

Pianist Michiel Braam is renowned in the international jazz scene. Long ago he graduated with saxophonist Frank Nielander at the ArtEZ conservatory in Arnhem. Ever since they did around 250 concerts, paused for 13 years and restarted recently! In the past they focussed on cool jazz and bebop, now on film music, especially crime, and the inspiration sources for film composers. For example, tracks of "The Taking of Pelham 123" (a "12-tone" score), music by Ennio Morricone from "La Piovra" and "Oraison" by Olivier Messiaen are all part of the program. A thrilling concert and our recommendation for the upcoming season.

Sacha Corbey, Kunst in de Kamer

Guts, Humor and Craftsmanship

It takes a lot of guts, humor and craftsmanship to rebuild pieces that are presumed dead and giving gnawed standards a second youth or even a new birth. These two read each other blindly. How would it otherwise be possible to play unison in tempo mortale without any accompaniment by bass and drums? Or seamlessly move from improvised to “fixed” parts?

John van Merriënboer, Gelderlander

Love It

Pieces everyone thought to be gnawed to the bone get a treatment by Braam and Nielander as if they’re new compositions. Love it.

Ton Ouwehand, Jazz Nu

Respecting the Past

This duo’s vision is one respecting the past, but also with the humor and instrumental achievements of the present. The music is lovely and moving.

Kees Polling, Trouw

Virtuoso Deconstructions with Unexpected Depth

Utterly bored with musical irony? Than listen to Nielander’s passionately preaching R&B tenor in Willow Weep For Me, the ghastly delayed The Mooch or the hot serpentines in the duo’s version of Lennie Tristano’s Wow. Virtuoso deconstructions with unexpected depth.

Erik van de Berg, Volkskrant

Playfulness, Optimism and Rough Melancholia

The combination of playfulness, optimism and rough melancholia makes this duo’s music extremely attractive. It doesn’t bore for a moment because of the differentiation in tempos, dynamics and original improvisations. An album that will be appealing to enthusiasts of older and newer jazz and improvised music.

Paul Etienne, Jazz Freak

An Exciting Concert

It was an exciting concert. Not in the least because of the balance this duo has found between focused seriousness and untroubled flying around, like a sagacious sort of street music. These penguins sounded like jazz”

Renze de Vries, Dagblad van het Noorden

Welcome to the website of Dutch pianist / composer / band leader Michiel Braam. You can find information about his groups and projects, listen to music and buy CDs in the shop.

Click 'close news' at the right-upper corner to go to the menu.

Double Bill

Wish You Were Here by Pink Too and ¡Oye Mambo! premiered September 7 this fall. We’re editing film material now and are to book both in a double program, to be performed in 2024. Keep an eye on the calendar!

Wish You Were Here

Along with mouthwatering vocalist Vera Westera, Penguins Too is currently working on their own version of the legendary Pink Floyd album "Wish You Were Here" for concerts to be performed 2023-2024. The three meet regularly in Beek to explore what could be a great rendition of this wonderful music. Rehearsals are in development, keep an eye on our calendar!

Noro Morales

We are exploring the music of the great Puerto Rican pianist Noro Morales with a new quintet. In this new group Michiel performs together with double bassist Gerard Schoren and no less than three wonderful percussion players: Martin Gort, Vera and André Groen. In the last century Noro was a great example for many Latin musicians and was called the Duke Ellington of Latin music, also because he had a large orchestra. Much of that wonderful repertoire is now being recreated by this quintet. Rehearsals started, stay tuned! To be booked for the 2023-2024 season.

Penguins Too Meet & Feed: “Dinner with the Greats"

Michiel Braam and Frank Nielander will not only perform at your favorite venue, they will also roll up their sleeves in the culinary field. On top of playing pieces by famous musicians, they take the favorite snacks of these greats with them! And, obviously, a matching glass of wine if desired. How about "Sonny Rollins' vegetable stew". Or Dave Brubeck's "low carb Barbecue Patties and Sauce"? Charlie Parker's "Kansas city chicken wings"? Get them juices work! Just sit back and relax.

 

How to do it? You ask us to run! From the list provided by us, choose the musicians you would like to be surprised with, played and served by Penguins Too in their famous inimitable way. Curious? Please contact us for more information.

El XYZ de Son Bent Braam Album Out Now!

In 1995 Braam wrote "The XYZ of Bik Bent Braam" for the large band he founded in 1986 and which was a working band until 2013. The program consisted of 26 pieces, one for each letter of the alphabet and was then considered Michiel's provisional masterpiece. The reviews spoke of "a perfect balance between the classic big band idiom and a more contemporary sound", "Braam's compositions are among the most fascinating that Dutch jazz has to offer", "Braam is entitled to a full-time jazz ensemble", "stunningly beautiful", "spectacular", "on top of all insubordination, all pieces contain a small melodic pearl", "particularly spiritual", "belongs to the best jazz recorded in 1996, wherever in the world", "not arrogant or sarcastic, but with infectious kindness", "Braam brings out the best in the musicians", "the most adventurous Dutch jazz around", "This is Jazz as dada, where the music’s hysterical edge conveys an air of unrelenting slapstick". Many reviewers referred to Duke Ellington as a main source of inspiration for orchestra and compositions. The program was presented in two tours and played 3 times over a few years in a sold out Bimhuis. One of those concerts was recorded and released in 1996 at Willem Breuker’s BVHaast label. Later that same year, Bik Bent Braam received a structural subsidy and Michiel was awarded the Boy Edgar Prize.

 

After 25 years, and many concerts with various bands and in various styles, Braam arranged a sort of Latin version under the title "El XYZ de Son Bent Braam". In the jubilee year 2020, the new arrangement will be performed in a line-up of top musicians from the Dutch jazz and Latin scenes. Around Braam's trio Nos Otrobanda (with Aty de Windt, baby bass and André Groen, percussion) that specializes in Antillean music, extra percussionists (Martin Gort and new talent Danny Rombout), brass players (Angelo Verploegen and the upcoming Joël Botma, trumpet, Ilja Reijngoud and the young phenomenon Efe Erdem, trombone) and saxophonists (Bart van der Putten, Efraim Trujillo, Frank Nielander and emerging star Jesse Schilderink) have gathered. The arrangement contains the styles mambo, bolero, cha-cha, montuno, merengue, calypso, son, rumba, bembé, boogaloo, mozambique, samba, afro, danzón and is suitable for listeners and dancers.

 

The program contains the parts Apagado, Bienestar, Chachachando, Duelo, Electricidad, Fugazmente, Guasón, Hipsifobia, Improvisación, Jazzz, Kuratela, Lentomaslentomáslento, Marcha, Noisettes, Obeso, Pico, Quickstep, Reposadamente, Solfear, Tristano, Ultra, Violeta, Wolfitas, X, Yate, Zafio and will be presented in 2 versions, with the parts following each other seamlessly. A 100-minutes version with a break between M and N, and in a special 75-minutes festival cut without a break.

 

The first two concerts, at Stranger than Paranoia festival, in December 2019, were recorded for an album issue. Son Bent Braam will do a release concert during this year's Music Meeting, June 1st. Go to our shop page to hear samples of all tunes and order your copy, or click here to go through the 26 parts in just over two minutes.

New Album Reeds & Deeds Out Now!

September 2019, a new album, "Live at JazzCase", by Reeds & Deeds was released. This sextet specializes in the music of Roland Kirk. Visit the Reeds & Deeds review page to see the first reviews. Visit our shop page to hear samples of the album.

New Album Penguins Too Out Now!

January 2018, a new album, "Crime", by Penguins Too was released. The duo formerly known as "Two Penguins In The Desert" was founded in 1987 to play at Frank's and Michiel's finals at the conservatory, more specifically to play the Lennie Tristano tune "Wow". The cooperation felt very comfortable and the duo continued to play for 16 years, specializing in cool jazz and the "hotter" bebop tunes, resulting in its first album "Jazzs". After a sabbatical between 2003 and 2017, the duo currently focusses on music written for or associated with crime films and television series, such as the twelve tone music from the 1974 movie "The Taking Of Pelham One Two Three", Ennio Morricone's music from the television series "La Piovra", the main title of "Narcos", Duke Ellington's "Anatomy of a Murder". All these pieces, plus a Chopin prelude, a Misha tune and several duo improvisations will be issued as a suite. Visit our shop page to hear samples of the mentioned tracks.

The Curaçao Experience Released!

October 13th Nos Otrobanda's first album, The Curaçao Experience, arrived. 18 tunes were recorded at ACEC Apeldoorn, where we could, thanks to the friendly cooperation of orkest de ereprijs, use a fine recording space for three days. The album is a typical DIY product; we recorded the music ourselves with some advice from Rein Sprong, we did the art work on our own, using a band photo and beautiful macro picture as front image by Marjan Smejsters and some final advice from Pascale Companjen and were along the process of learning the tunes helped in several ways by Joop Halman and the Palm Music Foundation. Joop has also written the liner notes, which you can find below.

We are yet to plan the release concerts, but one of them is already set: December 18 we will play the Uterelease Concert and present the album in a concert at the very same place where it was recorded. We would be glad to welcome you! Free entrance!

 

Check out the Nos Otrobanda pages for more info and samples of the music.

 

The Liner Notes

 

Otrobanda: the cradle of the Curaçaoan waltz, danza, mazurka and tumba.

 

It is in colorful Otrobanda where elements of European, African, Caribbean and Latin American cultures influenced each other and where Curaçao’s music culture emerged in the mid-19th century. Since then It manifested itself lively in the streets and squares and in the houses in Otrobanda. A home party in Otrobanda was unimaginable without the playing of music and dancing. 

 

Jan Gerard (Gerry) Palm (1831-1906) is generally considered the father of the Curaçaoan waltzes, mazurkas, danzas and tumbas. He is also the patriarch of the musical Palm dynasty which includes composers such as Rudolf Palm (1880-1950), Jacobo Palm (1887-1982), Toni Palm (1885-1962), Albert Palm (1903-1958) and Edgar Palm (1905-1998).  All the members of this musical family were born and lived in Otrobanda.

 

By his piano performances and the recording of numerous LPs and CDs, maestro Edgar Palm succeeded in keeping the rich musical heritage of his family alive. Two of Edgar Palm’s albums, ‘Otrobanda’ and ‘Music of the Netherlands Antilles’, have inspired jazz pianist Michiel Braam to start to work on a new musical journey. He transcribed all the tunes of both albums and  formed with Antillean bassist Aty de Windt and percussionist André Groen their trio ‘Nos Otrobanda’. On this journey, Michiel also discovered something special that he has in common with Edgar Palm: although with a time span difference of some decades, he and Edgar Palm had the same music teacher, Rudi Feenstra.

 

Nos Otrobanda succeeded in creating an authentic, vivid and catchy performance of Curaçao’s music. This CD may be considered as a most welcome and creative addition to the variety of interpretations of Antillean music.

 

Joop Halman

Chairman of the Palm Music Foundation

The Aye performed in South Africa

THE AYE, a stage show adapted from Ana Isabel Ordonez's internationally acclaimed book, THE EXTRAORDINARY LOVE STORY OF AYE AYE AND FEDOR, was performed to celebrate the 85th birthday of Nobel Peace Laureate Monseigneur Archbishop Desmond Tutu as a part of the Sixth Annual Desmond TutuInternational Peace Conference in Cape Town on 7 October.

 

THE AYE is a dance theatre extravaganza that depicts a beautiful love story between two endangered animals: Aye Aye, a lemur, Fedor, and a white lion. Each defines the term "opposites attract" in a fantastic universe called the Musical Forest. While Aye Aye was free to run wild and enjoy the forest, Fedor was stuck in a zoo. The two meet while he is in captivity. They strike up a friendship that helps them both make some important discoveries and launches them on a journey to places they never thought they would go. Inspired by her love for Fedor, Aye Aye helps the animals at the zoo, who have had a difficult time in captivity, to escape and reunite in the Magical Forest where they are finally free, allowed to celebrate who they are. A happy ending is in store for everyone, thanks to the courage and quick thinking of Aye Aye and Fedor. Aye Aye and Fedor's journey is a great example of friendship and cooperation between friends who on the surface seem to be very different from one another, but who have similar goals and a desire to share their lives together.

 

The world premiere of the dance theatre adaptation in South Africa will feature a fantastic set, a jazz-rock score by Michiel Braam, inspired choreography by Sifiso Kweyama and mischievous masks handmade in South Africa by La Carla Masks. The magical show will bring together a sparkling fusion of music (in a definitive recording by eBraam which includes drummer Dirk-Peter Kölsch, guitarists Pieter Douma and Jörg Lehnardt and harpist Ulrike von Meier), dance (by Jazzart Dance Theatre) and amusing narration (by New York based singer Dean Bowman). THE AYE was performed by Jazzart Dance Theater company dancers Adam Malebo and Tracey September, joined by Abdul-Aaghier Isaacs, Amber Jodie Andrews, Darion Adams, Gabriella Dirkse, Ilze Williams, Keenun Wales, Luyanda Mdingi, Lynette du Plessis, Mandisi Ngcwayi, Paxton-Alice Simons, Siphosethu Gojo, Tanzley Jooste, Thandiwe Mqokeli and Vuyolwethu Nompetsheni.

 

An album with both music and Dean Bowman's narration as well as an album with longer instrumental version of the composition only are available at Amazon.

Click here for The Music & Narration version or here for The Music only version.

New Solo Album Released!

Last December I played a solo set at Opus Jazz Club in Budapest, which was organized by Budapest Music Center. The set was recorded and now issued under the title "Gloomy Sunday" on the BMC label.

 

For me, doing a solo concert doesn’t involve any preparation in terms of a set-list or anything concrete about pieces I will be playing. I simply start and see where everything leads me to.

At this concert, I made an exception to this custom. Not only would it be nice to play one of the many famous Hungarian compositions in Budapest, but also the very night of the concert, students of the ArtEZ University of the Arts, where I am head of Jazz & Pop, organized a concert in remembrance of our student Robin Cornelissen who had died exactly two years earlier. I had played ”Gloomy Sunday” at his funeral and playing it in the Opus Jazz Club connected me to Robin, as well as to the great Hungarian music tradition.

 

Check out the webshop for details, samples of all 10 tunes inclusive.

 

Recordings Nos Otrobanda July 2016

Beginning July Nos Otrobanda will, one and a half year after its premiere concert and hopefully 20 degrees warmer, finally make real recordings of 21 songs the trio is playing at the moment. We'll make an album with those recordings. The album will be including (in alphabetical order) Ana Maria/Antillana, Azucena/Otrobanda, Canto De Los Angeles, Casino, Cocktail De Sjon Jan, Dandie, Eliza, Erani ta Malu, Ina, La India, La Inspiración, Lo Bello, Manina, Maria Cecilia, Mosaico de Tumbas 2, Ramillete Venezolano, Sabrosita, Sorpresa Inesperada, Teleraña, Tumba Cocktail y Salza 1 and Winy.

New album by Olanda In Due out now.

We issued the first album of our duo Olanda In Due, with Bo Van de Graaf on saxes. Including tunes by musicians such as Guiseppe Verdi, Nico Haak and Billie Holiday. Recorded live at the NovaraJazz Festival this summer.

Click here to find out how to order and hear samples of the tunes.

First performance Nos Otrobanda!

February 5, 2015, at BReBL, Nijmegen, this trio played its first concert. You can check out several tunes of that concert on SoundCloud.

 

In this brand-new band I play together with bass player Aty de Windt and latin percussionist André Groen. With Nos Otrobanda we concentrate on Antillean music, especially waltzes. I hear this music for like 26 years now and all of those years I wanted to do something with the music myself. It took me this long to grasp the nettle. I transcribed the music from 2 elpees of Curaçao pianist Edgar Palm and we are also very grateful to Joop Halman of the Palm Music Foundation for his contributions. I find especially the constant danceable friction between binary and ternary rhythm in this music very intriguing.This year (Bas Andriessen filmed our somewhat ill at ease first rehearsal) we worked on the material, in which process Aty not only provided a relaxed swing in his role as our bass player but also learned us about the essentials of Antillean music. It has been quite some time ago since I played Latin-American music. We must go way back to 1997, when I played, after being a member of that band for eight years, my last gig with the European Danzón Orchestra. It is truly delicious to play Latin music again, this time with Nos Otrobanda.

New Website Online

Welcome to our new website! About 10 times faster now, and working not only on competers but also on tablets, telephones and so forth. Info, reviews, concert dates, photos, videos, music samples, a shop, news items and how to contact us is all included. Thanks to Sjors of &Braam Super Sexy Web Development!

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